ENG 104 Fall 2002
*
TENTATIVE
* Course
Plan
*
SUBJECT TO CHANGE -
LIKE EVEN THE BEST LAID PLANS - WITH ADVANCE NOTICE IN CLASS
*
ENG 104, CRN #40389, Mon-Wed., 12:30-1:45 p.m., Deschutes 1
To Cora's ENG 104 Students: |
UPDATES/REVISIONS
to the online version of this
Fall 2002 Course Plan
will be made regularly during the current quarter to reflect what
actually transpires in class (including any changes
announced/negotiated in advance in class) & to activate
links
to relevant online course materials as they become available. |
READING ASSIGNMENTS:
(1) Read
thoughtfully & take notes on reading
ASSIGNMENTS DUE before
coming to class; (2) Bring
relevant course texts & materials, & be prepared to discuss them in
class on the dates due.
PAGE
NUMBERS below refer to ENG
104 Course Texts required in Fall 2002:
Charters, Ann, ed. The Story and Its Writer: An Introduction to Short Fiction. Compact 6th ed. Boston: Bedford-St. Martin’s, 2003. Tolkien, J.R.R. The Fellowship of the Ring, being the first part of The Lord of the Rings. Boston: Houghton Mifflin Co., 1994. |
ENG104 COURSE PLAN SHORT CUTS - WEEK 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Finals
WK #1 | ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 9/23 |
IN-CLASS: Introduction to ENG 104:
Syllabus
& Course Plan
(handouts) Discuss Elements of Narrative Fiction & View Clip from The Lord of the Rings: The Fellowship of the Ring (2001, Dir. Peter Jackson) |
Wed., 9/25 |
(1)
READ & BRING QUESTIONS
re: ENG 104
Syllabus
& Course Plan
(handouts); (2) Margaret Atwood: "Reading Blind" [1989], in Charters pp. 842-846; (3) BEGIN READING The Fellowship of the Ring [1954; rev. 1966], by J. R. R. Tolkien [b. 1892, South Africa; d. 1973, U.K.]: Book One: Chs. I & II (Tolkien, pp. 21-63); Prologue: 1. Concerning Hobbits & 4. On the Finding of the Ring (Tolkien pp. 1-7, 10-13) |
IN-CLASS: Discuss Questions re:
ENG 104 Presentation: Storytelling Traditions (including Epic as Oral/Literary Genre) Introduce The Fellowship of the Ring & Fellowship Study Guide 1 (handout); Assign Seminar #1 Preparation & Discuss Close Reading, Taking Notes; & Accessing Cora's Online Reserve Articles [We also previewed Elements of Fiction: Character, Plot, Setting, Theme] |
|
Online Resources: ENG 104 Online
Course Pack |
WK #2 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 9/30 |
(1)
BRING QUESTIONS
re:
Seminar #1
Preparation [Note: NO HANDOUT!]; (2) READ & TAKE NOTES on Fellowship of the Ring: Book One, Chs. III-XII (Tolkien, pp. 64-209): see Fellowship Study Guide 1 (handout) for short cuts (if necessary); (3) READ & TAKE NOTES on Corday: “Master of Middle Earth” [Cora's Online Reserve Article: restricted access directions given in class during Week #1) |
IN-CLASS:
Finish
discussion of
Storytelling Traditions: Genre Theory & Atwood Article from Week #1
(online handout); Discuss Directions for Seminar #1 (cont.), Fellowship of the Ring Book One & Corday article on Tolkien; |
|
Wed., 10/2 |
(1) DUE:
Seminar #1 Preparation (2) Continue READING Fellowship of the Ring (see Fellowship Study Guide 1 if you need short cuts for Book One) |
IN-CLASS: Seminar #1 (Tolkien
& Fellowship of the Ring):
Preparation (Individual Notes) &
Seminar #1 Group Reports due at the end of
class. Assign Critical Review of Sources (on Tolkien, Fellowship of the Ring, &/or Related Topic), Seminar #2 Preparation, & Extra Credit Option (online handout) As time allows: View Clip from The Lord of the Rings: The Fellowship of the Ring; &/or look at pictures of Tolkien from the Corday article. |
|
Resources: ENG 104
Online Course Pack
> II. Tolkien & Fellowship of the Ring |
|
Fri., 10/4, before 4:30 p.m.:
Fall 2002
Tuition
due, and |
WK #3 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 10/7 |
(1)
Finish READING
Fellowship of the Ring: Book Two (Tolkien, pp.
233-398:
see
Fellowship
Study Guide 2 for short cuts) (2) BRING Questions re: Critical Review of Sources, Seminar #2, & Extra Credit Option (online handout) |
IN-CLASS: Return & discuss graded
Seminar #1 Preparation (Individual Notes) & Group Reports;
Discuss Questions regarding
Critical Review of Sources, Seminar #2, & Extra Credit
Option (online handout) Show Seminar #1 Reports - Topics discussed (online handout) Continue discussion of Fellowship of the Ring: Book Two & In-Class Viewing: Clip from The Lord of the Rings: The Fellowship of the Ring |
|
Wed., 10/9 |
DUE: (1)
Critical Review of Sources
(on Tolkien, Fellowship of the Ring, and/or Related
Topics)
and (2) Seminar #2 Preparation |
IN-CLASS: Seminar #2:
Present, Discuss & Respond to highlights from Critical Review of Sources:
Critical Review of Sources &
Seminar #2 Reports - Sources
& Topics discussed (online handout) due at the end of class. In-Class Viewing: Clip from The Lord of the Rings: The Fellowship of the Ring |
|
Extra Credit Option Electronic
Submission or & permission to web publish Critical Review of
Sources:
CHANGE in
Deadline, as negotiated in class!! |
WK #4 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 10/14 |
READ & TAKE NOTES
on: (1)
Plot, Character, & Theme
from Appendix
3: "The Elements of Fiction," -
Charters, pp. 1003-1008,
1013-1015; (2) Edgar Allan Poe [U.S.A., 1809-1849]: "The Cask of Amontillado" [1846], "The Importance of the Single Effect in a Prose Tale" [1842], and "The Lust of Hate in Poe's 'The Cask of Amontillado'" [by D. H. Lawrence, 1919] - Charters pp. 687-693, 921-923, 893-894. |
IN-CLASS:
Finish discussion of Tolkien's
Fellowship of the Ring; Presentation: Emergence of the Short Story, Literary Romanticism & Realism; Discuss Poe readings & Elements of Fiction [Plot, Character, Theme] |
|
Wed., 10/16 |
READ & TAKE NOTES
on:
(1) Setting & Point of View from Appendix 3: "The Elements of Fiction," in Charters pp.1008-1012; (2) Guy de Maupassant [France, 1850-1893]: "The Necklace" [1884; trans. Marjorie Laurie] and "The Writer's Goal" [1884; trans. Mallay Charters], in Charters pp. 523-530, 896-898; (3) From Appendix 2: "A Brief History of the Short Story": Charters pp. 995-998 |
IN-CLASS: Return &
discuss graded Critical Review of Sources, Seminar #2
Participation, Assign
Optional Revision &
Reminder re:
Extra Credit Option Handout (Outline): Emergence of the Short Story, Romanticism & Realism, cont. Discuss Maupassant readings & Elements of Fiction [including Setting & Point of View]. Assign Response Writing #1 Preparation (Poe and/or Maupassant): and Writing About Literature [including Example Student Response Writing] |
|
See also
Evaluation: Critical Review of Sources |
WK #5 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 10/21 |
(1) DUE:
Response Writing #1
Preparation
(Poe and/or Maupassant)
(2) READ & TAKE NOTES on: Anton Chekhov [Russia, 1860-1904]: "The Lady with the Little Dog" [1899; trans. Richard Pevear and Larissa Volokhonsky] and "Why We Like Chekhov" [by Richard Ford, 1998], in Charters pp. 134-135, 143-155, 869-873. |
IN-CLASS:
Discuss
graded Critical Review of Sources, Seminar #2
Participation, Assign Optional Revision
[& REVISED deadline];
Reminder re:
Extra Credit Option Response Writing #1 [1st 20 min. of class]; Finish Discussion: Handout (Outline): Emergence of the Short Story, Romanticism & Realism, cont.; Discuss Chekhov readings & Literary Analysis: Elements of Fiction, Contexts, Comparison & Contrast |
|
Wed., 10/23 |
READ
& TAKE NOTES
on: (1) Kate Chopin [U.S.A., 1851-1904]: "The Story of an Hour [1894] & "How I Stumbled upon Maupassant" [1896] in Charters: pp. 156-158, 861-862; (2) On "interiorized plot" & "Epiphany," in Charters: pp. 999 & 104; (3) Charlotte Perkins Gilman [U.S.A., 1860-1935]: "The Yellow Wallpaper" [1892]; "Undergoing the Cure for Nervous Prostration" [1935]; "Why I Wrote 'The Yellow Wallpaper'" [1913]; and "A Feminist Reading of 'The Yellow Wallpaper'" [by Sandra M. Gilbert & Susan Gubar, 1979], in Charters pp. 305-318, 873-879. (4) REVISED (See above, 10/21) re: Optional Revision of Critical Review of Sources, with original graded version attached. |
IN-CLASS: Discuss
Readings by and about Kate Chopin & Charlotte
Perkins Gilman; Discuss Literary Analysis: Elements of Fiction, Contexts, Comparison & Contrast Assign Literary Analysis Paper, Worksheet, & Seminar #3 (handouts) Cora's Online Reserve Articles: on Chekhov, Chopin, Gilman, Maupassant, Poe, Tolkien |
|
Cora's Online Reserve Articles: on
Chekhov, Chopin, Gilman, Maupassant, Poe,
Tolkien |
|
Sun., 10/27:
Daylight Savings Time Ends,
so
"Fall Back": i.e. set your clocks back 1 hour. |
WK #6 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 10/28 |
DUE:
Completed
Worksheet
(for Literary Analysis Paper) -
plus 1 additional readable copy to be
turned in to Cora - & Seminar #3
Preparation [Cora's Online Reserve Articles: on Chekhov, Chopin, Gilman, Maupassant, Poe, Tolkien] |
IN-CLASS:
Return & discuss graded Response Writing
#1 & distribute
Grade Reports to date (Note: did not
happen till Wed. 10/30!)
Seminar #3: Discuss & respond to completed Worksheets (Cora's copy of Worksheets due at the end of class). Distribute Literary Analysis Paper Directions/Requirements (handout) & Using Sources Effectively (handout) |
|
Wed., 10/30 |
(1)
BRING
Questions re:
Literary
Analysis Paper &
Using Source
Effectively (handouts) (2) SKIM/BRING to class Appendix 4: "Writing about Short Stories" - Charters pp. 1016-1043. |
IN-CLASS:
Return
& discuss graded Response Writing #1 &
distribute Grade Reports to date:
see
Example Student
Response Writings #1 Discuss Questions re: Literary Analysis Paper & Using Source Effectively (handouts) & Charters' Writing about Literature; Examine examples from Charters, & go over Citing Sources Correctly (new handout). [Time did not permit:] Presentation (if time permits): Narrative Fiction in the 20th Century |
|
Using
Sources Effectively |
WK #7 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 11/4 |
(1)
DUE:
Literary
Analysis Paper, with
Worksheet &
Seminar #3 notes attached READ & TAKE NOTES on: (2) Ernest Hemingway [U.S.A. 1898-1961]: "Hills Like White Elephants" [1927], in Charters pp. 339-343; (3) From Appendix 2: "A Brief History of the Short Story": Charters pp. 999-1001 |
IN-CLASS: Read &
write response to another student's Literary
Analysis Paper
[first 20 min. of class];
Introduction to
C20 Literature &
Hemingway: "Hills Like White Elephants" View: “Hills Like White Elephants” (dir. Frederic Raphael; adapted by Joan Didion & John Gregory Dunn; from Women & Men: Stories of Seduction, 1990) |
|
Wed., 11/6 |
READ
& TAKE NOTES
on:
(1) Jean Toomer [U.S.A. 1894-1967]: "Blood-Burning Moon" [1923] and "Lynching in Tennessee'" [1917, by James Weldon Johnson], in Charters pp. 772-779, 890-891; (2) William Faulkner [U.S.A. 1897-1962]: "A Rose for Emily" [1931] and "The Meaning of 'A Rose for Emily'" [1959], in Charters pp. 268-275, 867-868; (3) "Style and Voice," Symbolism and Allegory" from Appendix 3: "The Elements of Fiction," in Charters pp. 1012-1013. |
IN-CLASS:
Discuss & analyze readings by Faulkner and
Toomer; Literary Analysis: Elements of Fiction, Comparison & Contrast, & Contexts Assign Response Writing #2 Preparation (Hemingway, Toomer, Faulkner) |
|
Prep. for In-Class Response Writing #2
(due Wed., 11/13):
Comparison/Contrast |
|
Fri., 11/8:
Deadline
(1) to Drop full-term classes with no grade on
transcript; |
WK #8 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 11/11: Veteran's Day - College is Closed & No Classes |
|
Wed., 11/13 |
(1) DUE:
Response Writing #2
Preparation
(Hemingway, Toomer, and/or
Faulkner
-
see prep.
directions above
or on ENG 104 Assignments web
page) READ & TAKE NOTES on: (2) Shirley Jackson [U.S.A. 1919-1965]: "The Lottery" [1948] and "The Morning of June 28, 1948, and 'The Lottery'" [1968], in Charters pp. 380-387, 884-886; (3) Gabriel Garcia Marquez [Columbia b. 1928]: "A Very Old Man with Enormous Wings" [1955], in Charters pp. 299-304; and "Critical Views of 'A Very Old Man with Enormous Wings,'" in Cora's Online Reserve Articles to be linked |
IN-CLASS: Response
Writing #2
[1st 15-20 min. of class] Discuss Jackson and Garcia Marquez |
|
WK #9 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 11/18 |
READ
& TAKE NOTES
on:
(1) John Updike [U.S.A. b. 1932]: "A & P" [1961], in Charters pp. 780-785; (2) Joyce Carol Oates [U.S.A. b. 1938]: "Where Are You Going, Where Have You Been?" [1966], and "Smooth Talk: Short Story into Film" [1978] in Charters pp. 618-631, 904-907; (3) Margaret Atwood [Canada b. 1939]: "Happy Endings" [1983], in Charters pp. 20-23. |
IN-CLASS:
Discuss
graded Literary Analysis Papers
-
see
Evaluation Checklist
- Assign
Optional Revision -
Note: Extended Revision Deadline
to Week #11--& recommend
Conferences. Discuss Updike, Oates & Atwood readings; Assign Seminar #4 preparation: Comparison/Contrast Notes on two stories assigned Weeks #8 & #9. |
|
Wed., 11/20 |
READ
& TAKE NOTES
on:
(1) Jamaica Kincaid [Antigua & U.S.A. b. 1949]: "Girl" [1978] and "On 'Girl'" [1993], in Charters pp. 468-470, 892; (2) Edwidge Danticat [Haiti & U.S.A. b. 1969]: "Night Women" [1991], in Charters pp. 244-247; and (3) Rick Moody [U.S.A. b. 1961]: "Boys" [2000], in Charters pp. 578-582. |
IN-CLASS: Seminar #4 - [Preparation (Individual Notes) & Group Reports due at the end of class]; Begin Viewing: Smooth Talk (1985, Dir. Joyce Chopra) | |
Smooth Talk
(1985).
Dir. Joyce Chopra. Based on
Joyce Carol Oates's short
story "Where Are You Going,
Where Have You Been?" (1966) Smooth Talk (1985), Internet Movie Database: http://us.imdb.com/Title?0090037
Cora's collecting articles -
see
Cora's Online Reserve Articles, including ENG 104 Author Links Table
of Contents | (1) A - E |
(2) F - L | (3) M
- Z
|
|
Thurs., 11/21 - Sun., 11/24: Cora off campus at CCHA Conference in San Francisco; No Office Hours |
WK #10 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 11/25 |
READ: Resources on Film Adaptation & Smooth Talk (linked to Cora's Online Reserve Articles); Joyce Carol Oates, "Smooth Talk: Short Story into Film" [1978] in Charters 904-907 |
IN-CLASS: Finish Viewing: Smooth Talk | |
Wed., 11/27 |
READ
& TAKE NOTES
on:
(1) Tim O'Brien [U.S.A. b. 1946]: "The Things They Carried" [1986] and "On Tim O'Brien's 'The Things They Carried'" [1994, by Bobbie Ann Mason], in Charters pp. 632-645, 895-896; (2) Louise Erdrich [U.S.A. b. 1954]: "The Red Convertible" [1984], in Charters pp. 260-267. |
IN-CLASS:
Return & discuss graded
Response Writing #2,
Seminar #4 Notes,
& updated Grade Reports;
See also
Evaluation Checklist
for In-Class Response
Writing #2. Discuss Smooth Talk & Film Adaptation of Literature; and O'Brien & Erdrich readings; Assign Final Project, Topic Proposal, Worksheet & Seminar #5 (handout directions) |
|
Response Writing #1 -
Student Examples: |
|
Thurs., 11/28 - Fri, 11/29: Thanksgivings Holiday - No Classes & College is Closed |
WK #11 |
ASSIGNMENTS DUE & IN-CLASS ACTIVITIES PLANNED |
Mon., 12/2 |
(1) DUE: Topic Proposal & BRING Questions re: Final Project (handout directions, including Extra Credit Option) Amendment: Since Cora was sick & class canceled, students were asked to turn in their Topic Proposals to Cora's mailbox or send to Cora via e-mail. |
IN-CLASS:
Cora was (is? always
will be?) Sick:
Class canceled! NOTE WELL: Deadline for late/make-up, extra credit, optional revisions extended to our Final Exam Meeting on Dec. 12, 1:00, Deschutes 1 - see Finals Week below. |
|
Wed., 12/4 |
(1) DUE: Completed Worksheet or Detailed Outline (for Final Project) - plus 1 additional readable copy to be turned in to Cora - & Seminar #5 Preparation (i.e. be prepared to present your Final Project paper plans & solicit feedback) |
IN-CLASS: Return graded
Revisions, etc., and Distribute updated
Grade Reports;
Discuss Final
Project Directions & Questions &
Topic Proposals In-Class Seminar #5: Present, discuss, & respond to completed Worksheets (for Final Project) - Cora's copy of Worksheets/Outlines due at the end of class. Assign Response Writing #3 ( Self-Evaluation & Course Reflections Survey - handout): may be prepared in advance outside class or written during Final Exam meeting on Thurs., Dec. 12. |
|
Wed., 12/4:
Last day to
Withdraw from full-term classes & receive a "W"
grade; |
FINALS WEEK - Dec. 9 - 13, 2002 |
|
ENG 104 Final: Thurs., Dec. 12 1:00 - 3:00, Des 1 |
(1)
DUE:
Final Project with
Topic Proposal, Worksheet/Detailed
Outline, &
Seminar #5 responses attached (2) DUE: Extra Credit Option - Electronic Submission & Web-posting of Final Project Paper (3) Deadline for late/make-up, extra credit, optional revisions extended to our Final Exam Meeting on Dec. 12, 1:00. |
IN-CLASS:
Return any graded Late/Make-Up/Extra
Credit work from Weeks #1-11, &
distribute updated Grade Reports; Read & respond to other students' Final Project Paper; Response Writing #3 ( Self-Evaluation & Course Reflections Survey) - may be prepared in advance or completed during Final Exam meeting. |
|
Student Final
Project Papers
- Examples |
Cora's ENG 104 Course Web
Site: Index
Fall 2002
Syllabus |
Course Plan |
Online Course Pack |
Assignments
YOU ARE HERE:
ENG 104 Course Plan ~ Fall 2002
URL of this webpage: http://www.cocc.edu/cagatucci/classes/eng104/courseplan.htm
Last updated:
16 November 2003
Copyright
© 1997-2002, Cora Agatucci, Professor of English
Humanities Department, Central Oregon
Community College
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