Seminar #1 - Reports & Responses
ENG 103 Syllabus -
Open Campus, Spring 2003
Class Preparation & Participation Credit Assignments
Short Cuts on this webpage:
Seminar 1
Report | Seminar 1 Responses |
WebPosting to Seminar 1 Discussion Forum |
Citation Guidelines
Seminar #1 Report (Blake, Wollstonecraft, or Equiano)
DUE: Sun 4/13
To be webposted to the Seminar #1 online discussion forum:
URL: http://www.cocc.edu/cagatucci/discussions/sem1_frm.htm
Tip: Word Process your Report before accessing Seminar #1 online discussion forum; then with both your word processing document and Seminar #1 online posting window open, you can copy your report and paste it directly into the Seminar #1 online discussion forum. Try to follow directions given online at the Seminar #1 discussion forum & see more advice - Webposting to Seminar 1 Discussion Forum below.Directions: Prepare a brief informal report - about 150-250 words - on one of the following topics. Please follow citation guidelines (given below) when you cite (quote, paraphrase, summarize) Longman readings and/or online course materials--not only to avoid plagiarism but also to enable other ENG 103 students to find and review your sources for themselves.
TOPIC 1. Blake: Compare one Song of Innocence to one Song of Experience from the poems assigned, to identify and explain one or two significant similarities and/or differences between the two poems. Illustrate your points by citing lines from the poems and be sure to explain why you believe the identified similarities and/or difference are significant. Conclude your Seminar #1 report by posing a discussion question and/or personal observation to provoke further thinking on Blake and his Songs.
TOPIC 2. Wollstonecraft: Identify and explain two key points that Wollstonecraft makes in Introduction to A Vindication of the Rights of Woman (Longman 1471-1475). Illustrate your points by citing passages from Wollstonecraft's argument. Conclude your Seminar #1 report by posing a discussion question and/or personal observation to provoke further thinking on Wollstonecraft and/or her ideas.
TOPIC 3. Equiano: From your reading of Longman background information on Equiano and Cora's Online Reserve webarticle Olaudah Equiano (1745-1797), write your own brief Introduction to Olaudah Equiano that explains your understanding of who he is / what he did, and why his story is significant. Conclude your Seminar #1 report by posing a discussion question and/or personal observation to provoke further thinking on Equiano and/his story.
Equiano URL: http://www.cocc.edu/cagatucci_articles/hum211/equiano.htm
Seminar #1 Responses
DUE: Mon. 4/14
(No Televised Meeting on Mon., April 14)1. Read all the webposted Seminar #1 Reports after the report posting deadline (Sun., April 13). Choose 2 or 3 Reports that interest you as stimuli for your Seminar #1 Response. Or you may respond to several Reports on a particular Topic of interest to you.
2. Webpost your Seminar #1 Response/s to at least other students' posted Seminar #1 Reports to the
Seminar #1 online discussion forum:
URL: http://www.cocc.edu/cagatucci/discussions/sem1_frm.htmWhat should you write in your Seminar #1 Response/s? First of all, there are no "right" or "wrong" responses. There are only your honest and thoughtful responses--personal and/or analytical--to others' Reports and topics, and what they and you have made of ENG 103 readings & learning experiences so far. In your "Response," I invite you to offer open-ended, earnest inquiries and productive reactions to two or more Reports, or specific points and questions raised in two or more Reports that elicit strong responses from you, that provoke your curiosity and interest, and/or that in some (other) way provoke your comment and further discussion.
Whichever Reports or topics you address and reactions you describe in your Response, I would like you to try to specify what you are reacting to, and explain how and/or why you are reacting as you are. [The Reply option embedded in online display of student reports allows you to engaged in a "threaded" discussion, by the way.]
3. Read all other students' posted Seminar #1 Responses after the posting deadline (Mon., April 14) but before TV class on Wed., April 16. Next TV Meeting: Wed., April 16.
WEB POSTING to Seminar #1 Discussion Forum
When you are ready to post your Discussion #1 Report and/or Response, follow the Posting Directions given at the online Seminar #1 Discussion Forum:
URL: http://www.cocc.edu/cagatucci/discussions/sem1_frm.htmQuestions or Problems? Please contact Cora:
cagatucci@cocc.eduTo get an idea how online Discussion Forums work, please visit one of the following Hum 211 Discussion Forums from Winter 2002:
HUM 211 Discussion #1 Forum: http://www.cocc.edu/cagatucci/discussions/disc1_frm.htm | |
HUM 211 Discussion #2 Forum: http://www.cocc.edu/cagatucci/discussions/disc2_frm.htm | |
HUM 211 Discussion #3 Forum: http://www.cocc.edu/cagatucci/discussions/disc3_frm.htm | |
HUM 211 Discussion #5 Forum: http://www.cocc.edu/cagatucci/discussions/disc5_frm.htm |
Citation Guidelines
Avoid Plagiarism: Cite Your Sources! When you cite a literary work . . .
· Make clear which author and work you are citing: e.g. use author tags (According to Blake,...), and, if needed, identify which literary work or which part of a literary work is being cited (In her Introduction to A Vindication of the Rights of Woman, Wollstonecraft asserts that...). It is permissible to shorten references to very long titles as long as it is still clear to your readers which work you are citing (Equiano gives this reason for writing his Narrative: . . .).
· Exact quotations should be enclosed in quotation marks; use ellipses . . . if you leave out part of a sentence; put brackets [ ] around anything you add or change within a quoted passage.
· Both quotations and paraphrases of specific passages from a literary work should be followed by page numbers in our textbook given inside parenthesis, like this: (Longman 1393).
·
Line breaks for quoted lines of
poetry should be indicated by a slash / like this:
"The Lamb" in Songs of Innocence
opens with a child's question: "Little Lamb
who made thee/Dost thou know who made thee" (ll. 1-2, Longman 1394).
· If you cite a source other than our textbook, identify that source as well. For Example:
Catherine Ancholou, a Nigerian scholar, explains that Equiano's slave narrative must be studied "to connect, to not forget, to remember, and to take responsibility for the actions of our forefathers” (“Olaudah Equiano” online reserve article).
Support your main points or definitions clearly and persuasively with literary citations
· Select relevant literary "evidence" that best supports your points, and cite (quote and/or paraphrase) only as much as is needed and relevant to help you make your points.
· Interpret or explicate (explain) your literary citations. In general, all quotations and paraphrases should be accompanied by your explanations of how/why the cited passage relates to and supports your point. Don't assume a quoted passage will speak for itself, for no two readers will necessarily interpret and understand a passage in exactly the same way you do. You may need to single out and explicate specific words or phrases within your literary citations to clarify how you are interpreting them and/or why they are relevant or important to your point.
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ENG 103 Open Campus, Spring 2003
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Last Updated: 03 March 2005
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© 1997-2003, Cora Agatucci, Professor of English
Humanities Department, Central Oregon
Community College
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