WELCOME TO ENGLISH 104!
Syllabus ~ Fall
2001
Introduction to Literature Fiction
CRN #40389, Mon-Wed., 5:30-6:45 p.m., Deschutes
1
Instructor: Cora Agatucci
Office Hours ~ See Current
Course Schedule:
http://www.cocc.edu/cagatucci/schedule.htm
Also available by appointment ~ Contact Cora:
Office:
Deschutes 14; Telephone/Voicemail: (541)-383-7522;
Mailbox: Modoc 226; Fax: (541) 317-3062; E-Mail: cagatucci@cocc.edu
Home
Page: http://www.cocc.edu/cagatucci/
ENG 104 Course Home Page:
http://www.cocc.edu/cagatucci/classes/eng104/
Required Texts for Cora's English 104 (CRN # #40389) in Fall 2001 (Available for purchase from the COCC Bookstore):
Charters, Ann, ed. The Story and Its Writer: An Introduction to Short Fiction. Compact 5th ed. Boston: Bedford-St. Martins, 1999. | ||
English 104 Course Pack, ed. Cora Agatucci. |
Students with college entry-level reading, thinking and writing skills are best prepared to succeed in this course. | ||
No previous coursework in literature is required, although such background is helpful. | ||
Courses in the Introduction to Literature A-list Humanities sequence--ENG 104, 105, & 106--may be taken in ANY order to satisfy the A-list Associate of Arts transfer degree requirement. |
English 104 is one of three courses in the Introduction to Literature humanities sequence. (NOTE: Taking all three courses--English 104, 105, and 106--satisfies the A list Humanities sequence requirement for the Oregon transfer Associate of Arts degree.) English 104 will introduce the study of imaginative fiction, focusing on the genres of the short story and the novel(la--or short novel). Survey of storytelling traditions and the Western literary history of fiction will establish contexts for study of significant fiction writers and works from the 19th and 20th centuries. As we sample works representing the rich diversity of fiction, students will be guided in analyzing fictions major elements, such as plot, character, theme, point of view, setting, style, and symbol. Comparative analysis of these elements will help students understand their functions and contribution to the impact of the literary works. Biographies and critical commentaries by and about fiction writers and their literary works will acquaint students further with the contexts which have shaped the creation and reception of fiction. Film adaptations of selected literary works will also be viewed to examine the possibilities and limitations of these different forms of narrative fiction.
A. Build a Knowledge Base of a Major Literary Genre
1. Situate works of fiction within their contexts (e.g. literary historical periods and influences, cultural and biographical background of authors, authorial intentions and critical reception).
2. Explain and illustrate how works of fiction reflect and shape significant aspects of their contexts.
3. Define and explicate key literary elements of narrative fiction, such as plot, character, theme, point of view, setting, symbol, and style.
B. Develop Skills in Literary Analysis & Evaluation
4. Apply close reading, contextual background information, literary concepts and approaches, and multiple perspectives to the analysis and interpretation of works of fiction.
5. Use comparative analysis to demonstrate significant differences and similarities among works of narrative fiction (e.g., between short stories by the same or different authors; between short story and novel or film; between works of fiction from different literary-historical periods).
6. Formulate and apply persuasive criteria to the evaluation of works of fiction-- appropriate to the context and genre of the literary text, and distinguishing between personal responses and literary-critical judgment.
C. Exercise Effective Communication Skills
7. Use effective oral and written communication to express literary interpretations and evaluations--developed both independently and collaboratively.
8. Use well-selected evidence from the literary text(s) to support ones literary interpretations, analyses, and evaluations.
By the way, one of Cora's own major course goals is to enhance students personal, critical, and creative enjoyment of fiction as serious imaginative play. Students will be encouraged to be active learners, close readers, and critical thinkers. Active engagement in course learning experiences will be stimulated through open class discussion, small group seminars, and individual writing. Students will be given ample opportunity to respond to the literary works, consider varied critical perspectives, exchange ideas with other students and Cora, and formulate their own oral and written interpretations and evaluations of fiction. (Diversity of opinion is, to me, one of the most interesting aspects of the course!--Cora)
Class Preparation & Participation (including Seminars, Response Writings, & film viewings) | 50% of course grade |
Midterm Discussion Paper | 25% of course grade |
Final | 25% of course grade |
Course Policies
A. Attendance Policy: Students are responsible for course material whether or not they are in class. When an absence is unavoidable, students should take immediate steps to find out what they have missed by consulting the Eng 104Course Plan, contacting the instructor and/or other students in the course and, if permitted by the instructor, making-up missed or late assignments.
B. Late/Make-Up Policies:
1. Class Preparation and Participation: Some in-class activities and assignments may not, by their nature, be completed late or "made-up" for full credit. However, some "extra credit" or "make-up" options may be offered, by arrangement with Cora, for full or partial credit if students miss such in-class activities or assignments.
2. Midterm: Late Midterm Discussion Papers will be penalized one letter grade.
3. Take-Home Final: NO LATE FINALS WILL BE ACCEPTED. PERIOD.
C. Plagiarism Policy: Proper citations and documentation of any sources that you quote, paraphrase, and/or summarize in your writing are required whenever you borrow the words, facts, and/or ideas of others.
**Note well that even putting others ideas into your own words still means you are borrowing, and you need to give credit where credit is due.
To avoid plagiarism, source(s) must be cited and documented, both(a) at the point in your papers where the borrowing occurs (using parenthetical citations for most documentation styles), and
(b) in a list of all sources cited given at the end of your paper.
Plagiarismintended or notis considered a serious academic violation of intellectual property rights, and may earn your written assignment an automatic "F" or worse.
Quick and acceptable ways, using MLA Style, of citing your sources in English 104 written assignments will be discussed further in class and/or in assignment direction handouts.
Any Eng 104 student
with a documented disability (physical, learning,
psychological, vision, hearing) who needs to arrange
reasonable accommodations
must inform the College and Cora as soon as possible.
If you require any assistance related to a disability,
contact the Disability Services Office
located in Boyle Education Center (BEC),
call (541) 383-7580, or send e-mail to sobrien@cocc.edu
I look forward to working with and learning from all of you this term!--Cora
Fall 2001 ENG 104 Syllabus
| Course
Plan | Course
Pack Table of Contents | Assignments | Site
Map
Example Student Writing ~ Fall 2001
ENG 104 Author Links Table of Contents | (1)
A - E | (2)
F - L | (3) M - Z
Literature
Links | Contexts:
Literary History & Movements | Genre
Studies: Fiction | Film Basics
ENG 104 Course Home
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YOU
ARE HERE ~ Fall 2001 ENG 104
Syllabus ~ URL of this webpage:
http://www.cocc.edu/cagatucci/classes/eng104/syllabus.htm
Last Updated: 07 July 2003
This webpage is maintained by Cora
Agatucci, Professor of English,
Humanities Department, Central Oregon
Community College
I welcome comments: cagatucci@cocc.edu
© Cora Agatucci, 1997-2001
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