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Native American Literature and Culture

Hum240W: Introduction to Native American Literature (4 credits)

Spring 2005 CRN: 22347

Tuesdays and Thursdays 1-2:40pm, Modoc 104

Instructor: Stacey Donohue

Office: Pence 23

Phone: 383-7533

Email: sdonohue@cocc.edu

Office hours: Check website: http://www.cocc.edu/sdonohue/schedule.htm

 

Texts:

Hum240W Course Pack (available in Blackboard or at the Bookstore)

Readings on reserve in the library or e-reserve online

Erdrich, Louise. Tracks

Silko, Leslie Marmon. Ceremony

Alexie, Sherman. Lone Ranger and Tonto Fistfight in Heaven    

                                                                                                                                                           

Course Description:

The primary objective of the course is to introduce you to a selection of literary works by Native American writers. Additional objectives include developing the skills needed to meet the following outcomes:

 

A. Knowledge about a culture different from one’s own:

1.      Explain the broad features of Native American history (from pre-contact to the present) and situate individual texts within that history.

2.      Apply specific and defensible criteria, appropriate to the cultural and historical context, to analyze, interpret, and evaluate Native American texts.

3.      Analyze the effects of education, gender roles, printing and publication practices, the reservation system and cultural identity on the development and reputation of these authors.

B. Analysis of a written text:

1.      Analyze the role of orality and storytelling in this literature, including the use of oral story telling devices in contemporary texts.

2.      Demonstrate an understanding of specific themes in Native American literature such as interrelationship between the land and the people; the value of community and tradition; the trickster figure; the “mixed-blood” figure in 20th century literature; the homing plot; and media representations of Native Americans.

3.      Use formal and informal writing to develop and express interpretations and analyses, distinguishing between personal and critical responses.

4.      Use evidence from the texts and bring multiple viewpoints and perspectives to bear in developing one’s interpretations, evaluations, and comparative analyses of these literary works.

5.      Explain the relationships within these selections, among audience, purpose, organization, form, voice, diction, style, and use of literary conventions.

6.      Explain how the literary treatment of an event, issue or idea differs from the approach of another academic discipline.

 

 

C. Comparative analysis of cultures:

1.      Examine the effects of individual and culturally-determined factors (such as race, gender, class, ethnicity, region, religion, biases of information sources, prior cross-cultural experiences) in one’s own and others’ responses to Native American literature and culture.

2.      Identify and explain significant differences and similarities among Native American works and cultures and our own, or other nonwestern and multicultural American cultures with which you may be familiar.

 

In order to meet these goals, students are expected to attend class, contribute to class discussions, and keep up with the reading and writing assignments.

 

Activities and Grades

 

20% In Class Activities

As with any literature class, class and group discussion and analysis of the literary works are central to the course. Expect in class group and individual written assignments at least once a week. The in class work is designed to help you as your work your way through the readings, thus I consider them to be helpful for both class discussion, but to your own understanding of the texts. Questions we work on during class time may be on the midterm and final, and may act as initial brainstorming drafts of your formal essays.  These assignments will be graded credit/no credit, so you earn credit just by participating. In-class work cannot be made up; however, two missing (or two lowest graded) assignments will be dropped.

 

15% Reading Journal

An informal notebook that you will keep as you read the three books and reserve readings this term. Criteria will be discussed in class. You’ll hand it in at midterm and again at the final exam.  

 

25% In class Final Exam

Includes short answer and short essay questions related to all the readings and class discussions during the term.

 

40% Essays (2)

Two essays, each worth 20% of your final grade, a minimum of 4 typed double-spaced pages.  For each essay, you will have a number of topics to choose from. The first essay may be revised IF handed in on time.  Late essays are penalized. Criteria and suggested topics for these essays are listed in the course packet.

 

Format for Essays and Major Assignments Listed Above

bullet The initial draft and final presentation of all formal essays must be double-spaced and word processed with 1 inch margins on all sides.  Please use 12 point font (Times New Roman preferred).  Essays that contain plagiarized material will receive an “F” and no rewrite option. [See Plagiarism Statement below.]
bullet The Writing Lab is available for any student—please consider using this “free” service, especially if you are concerned about grammar, punctuation and proofreading.
bullet Students with documented disabilities who may need accommodations, who have any emergency medical information the instructor should know of, or who need special arrangements in the event of evacuation, should make an appointment with the instructor as early as possible, no later than the first week of the term. Students may also wish to contact the COCC Disabilities Services Office in Boyle Education Center, 383-7583. or send an e-mail to Anne Walker at: awalker@cocc.edu

 

COCC E-Mail Accounts:

Please see me about using your COCC e-mail account (or forwarding your COCC e-mail to another account). I often send class updates as well as information on your grades, via e-mail. 

 

Plagiarism Statement:

Proper citations and documentation of any sources that you quote, paraphrase, and/or summarize in your writing are required whenever you borrow the words, facts, and/or ideas of others. In general, putting others’ ideas into your own words still means you are borrowing, and to avoid plagiarism, the source must be cited and documented, both (a)at the point in your essay where there borrowing occurs (parenthetical citations for most academic documentation systems), and (b) in a list of all sources cited given at the end of your essay.  Plagiarism—intended or not—is considered a serious academic violation of intellectual property rights, and may earn your written assignment an automatic “F.”

 

COCC Non-Discrimination Policy

Central Oregon Community College is an affirmative action, equal opportunity institution.

 

Please see me at the beginning of the quarter if you have any questions about the course requirements.  Also, if you have any questions during the course of the quarter, please see me during office hours or by appointment.

Note: Bring text and packet to each class meeting!

PRIVATEWeek 1

Tues, March 29

Introduction to the Course

bullet Assignments, including the Reading Journal
bullet accessing readings on Reserve and E-Reserve
bullet background on Native American literature

Thurs, March 31

First Encounters and the Language of Race

How to access E-reserves for next week

Advice on note-taking as you read this term: Reading Journal

Read

·        “Body Rituals of the Nacirema” http://www.msu.edu/~jdowell/miner.html

·        “Letter to Ferdinand of Spain from Christopher Columbus”: http://xroads.virginia.edu/~hyper/hns/garden/columbus.html

·        Course Packet pp.2-5 and 8 and 24

Week 2

Tues,

April 5

 

Read Tracks  pages 1-61

Reserve Readings: “Naanabozho and the Gambler”

Read Coursepacket: 9-11, 25-33 (You may want to read the Study Guide before beginning the novel, or after you start to read the novel)

Thurs. April 7

Read Tracks pages 62-95

Week 3

Tues. April 12

Read Tracks pages 96-164

 

Thurs. April 14

Read Tracks pages 165-191

Discuss Essay #1—Read Course packet pp.12-23

Week 4

Tues. April 19

Read Tracks pages 192-end

Reading on Reserve: Gertrude Bonin’s “School Days”

Thesis and Outline of Essay #1 due

Thurs.

April 21

Rough Draft of Essay #1 due today for Peer Evaluation

 

Week 5

Tues. April  26

Essay #1 due---on Tracks: may be revised if handed in on time today

Reading Journal is due today. Must include responses to all readings so far.
Read Coursepacket pages 34-41; Start Ceremony

Thurs. April 28

Read Ceremony: pages 1-12

Week 6

Tues. May 3

 

Read Ceremony pages 13-82

Thurs. May 5

Read Ceremony pages 83-106

Week 7

Tues. May 10

 

Read Ceremony pages 107-178

Thurs. May 12

Read Ceremony pages 179-201

Week 8

Tues. May 17

Final Discussion of Ceremony

Read Ceremony pages 202-end

Discuss Essay #2

Thurs. May 19

Hollywood Indians

Overview of Sherman Alexie

Read Course Packet pages 42-45

Read Lone Ranger: pages 1-11

Week 9

Tues. May 24

Read Lone Ranger  pages 12-36 and 43-53 and 149-153 and 171-180

 

 

Thurs. May 26

Read Lone Ranger pages 181-190 and 211-223
Thesis and Outline of Essay #2 due

Week 10

Tues. May 31

Readings on Reserve by Elizabeth Woody “Homecoming” and “Buckskin” and Thomas King “A Seat in the Garden”

 

Thurs. Jun 2

Essay #2  due for peer evaluation (essay due at final exam)

Review for Final Exam on all the readings for the term

Finals Week

Final Exam: Thursday, June 9, 3:15-5:15pm: Open Book and Open Notes Exam, bring lined paper and pen.

ESSAY #2 IS ALSO DUE along with your READING JOURNAL

 

Date this page was last updated: 03/11/05