Writing 121 - Cora Agatucci
English Composition [
Expository Essay Writing]

Final Exam Essay Topics ~ Fall 2001

Short Cuts:  WR 121 Final Exam Essay Topics | Meyrowitz, "The 19-Inch Neighborhood"

See also Fall 2001 WR 121 Course Plan for Deadlines & Nov. 28 Snow Day Notice

    WR 121 Final Exam Topics ~ Fall 2001

For all the following topics, make sure your essay is unified by a clearly stated thesis and a narrowed focus.  The essay must be well-developed with supporting examples, specifics, or details collected from observation, experience, or reading. If you do any reading on your topic, give credit to your source within your essay.  

[Choose one of the following topics for your Final Exam Essay:]

1.      Christmas is a time of great anxiety for many Americans.  Explain the various reasons that people experience stress during this time of so-called celebration.  Conclude by suggesting how such stress can be managed.

2.      In the U.S., people do such activities as eat, make business calls, and even live in their automobiles.  Explore how the automobile has shaped American culture.  Your essay can focus on what you consider positive or negative consequences, but explain how cars are central to an American way of life.

3.      With so many media at our fingertips, we have multiple opportunities to communicate with one another.  However, consider which of our technical tools for interpersonal exchange lead to effective communication, as distinguished from merely exchanging information.  Then, analyze what you consider to be the most effective methods of communication, whether you explain specific electronic devices and/or more natural means to achieve dialogue.

4.      Which quality makes the most effective leader:  the ability to inspire love or the ability to inspire fear?  Give specific examples that support your choice.

Topics 5 through 7 refer to the article “The 19-inch Neighborhood,” by Joshua Meyrowitz (reproduced below):

5.      Referring to Meyrowitz's article, discuss the paradox that "TV is both a hijacker and a liberator" and explain how it applies to your experience of TV.

6.      Meyrowitz claims that "the more we rely on our video window . . . , the less there's a relationship between where we are and who we are."  Consider whether he is correct in assuming that television reduces the importance of local environment on personal identity.  Then, explain how this impact of television can or cannot help to determine your identity

7.      Meyrowitz contends that 98 percent of American families have allowed TV to "redefine our place and our social reality."  Write an essay that explains in what ways this redefinition applies to your life and/or the lives of others?

“The 19-inch Neighborhood”
by
Joshua Meyrowitz

            I live in a small New Hampshire town, but in the last few weeks I met the Lebanese leader of Amal and I was shouted at by militant Shiite hijackers.  I sat beside the families of hostages as they anxiously watched their loved ones at a news conference in Beirut and as they later rejoiced when the hostages were released.

            I weighed the somber questions and comments of anchorman Dan Rather as he "negotiated" with Lebanese minister Nabih Berri.  I evaluated firsthand the demeanor of the hostages, the behavior of the news reporters, the facial expressions of the hijackers and the public comments of President Reagan and his spokesmen.

            And I participated in this drama of international scope without ever leaving New Hampshire; indeed, I shared it fully when sitting isolated in my living room in front of my television, watching the 525-line screen of flickering specks of light and color that my brain translates into pictures of people, objects and motions.  The visual liveliness--like a conglomeration of thousands of flashing neon lights--and the intensity of the drama itself kept me riveted to the screen.

            In contrast, the images through my window of trees, dogs, and neighbors' houses are crisp and clear--tangible, real.  Yet when I think of "keeping in touch" with things each day, I, along with a hundred million others, turn to the blurry television set.  Recently a house in my town was destroyed by fire, and I vaguely recall reading the story in my local paper.  Was anyone hurt? Is the family that lived there homeless now? Have they, too, suddenly been taken hostage by a swirl of events not of their making? I don't know.  I could find out, I suppose, but I probably won't.

            Reality: For I, and most of my neighbors, no longer simply live in this town; we don't live "with" each other in quite the same way our grandparents did.  We, like the 98 percent of American families who own a TV, have granted it the power to redefine our place and our social reality.  We pay more attention to, and talk more about, fires in California, starvation in Africa and sensational trials in Rhode Island than the troubles of nearly anyone except perhaps a handful of close family, friends, and colleagues.

            Our widespread adoption of television and other electronic media has subtly but significantly reshaped our world.  For the first time in human civilization we no longer live in physical places.  And the more we rely on our video window, the less relation there is between where we are and who we are. 

            Such changes affect our sense of identification with our community--and role relationships with our family.  Isolated at home or school, young children were once sheltered from political debates, murder trials, famines and hostage crises.  Now, via TV, they are taken across the globe before we give them permission to cross the street.

            Similarly, our society was once based on the assumption that there were two worlds: the public male sphere of "rational accomplishments" and brutal competitions, and the private female sphere of child rearing, of emotion and intuition.  But just as public events have become dramas played out in the privacy of our living rooms and kitchens, TV close-ups reveal the emotional side of public figures.  Television has exposed women to parts of the culture that were once considered exclusively male and forced men to face the emotional dimensions and consequences of public actions.

            For both better and worse, TV has smashed through the old barriers between the worlds of men and women, children and adults, people of different classes, regions, and levels of education.  It has given us a broader but also a shallower sense of community.  With its wide reach, it has made it difficult to isolate oneself from the informational arena it creates.

            To watch TV now is to enter the new American neighborhood.  The average household keeps a TV set on for 50 hours a week.  One may watch popular programs not merely to see the program, but to see what others are watching.  Once can watch not necessarily to stare into the eyes of America, but to look over the shoulders of its citizens and see what they see.

            Television has become our largest shared arena where the most important things happen.  When a friend sings exquisitely, we not longer say, "You should sing in our church," but rather, "You should be on television."  Our funniest friends are wished an appearance on "The Tonight Show," not a performance at the town hall.  The early presidents of this country were seen by few of the voters of their day; now it is impossible to imagine a candidate who has not visited us all, on television.

            Weather: Television has replaced the local street corner and market as an important place to monitor--but, as with a marketplace, we do not always identify personally with what goes on inside.  We may avidly watch what is on the news and on the entertainment and talk shows even as we exclaim, "I can't believe people watch this!" or, "What is the world coming to?"

            Regardless of its specific content, then, television has a social function similar to the local weather.  No one takes responsibility for it, often it is bad, but nearly everyone pays attention to it and sees it as a basis of common experience and as a source of conversation.  Indeed, television has given insularity of place a bad name; it now seems bizarre to be completely unaware or cut off.  The TV set is a fixture in the recreation rooms of convents; it is even something that is sometimes watched in the formerly silent halls of Trappist monks.

            Paradoxically, TV is both a hijacker and a liberator, hostage and hostage taker.  It frees us from the constraints of our isolated physical location, but flies us to a place that is no place at all.  And our attention is most easily held hostage when television itself becomes a hostage of terrorists, demonstrators, politicians and other self-conscious social actors who vie for the chance to become--at least for a while--our closest video neighbor.

Source:  Meyrowitz, Joshua. "My Turn: The 19-Inch Neighborhood."  Newsweek July 22, 1988. 

Note on the Author:  Meyrowitz is the author of "No Sense of Place: The Impact of Electronic Media on Social Behavior."

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